| Commit message (Collapse) | Author | Age |
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Kill quit the editor, which in acme is Exit; acme's Kill stops the
commands it started. Exit now quits as acme's does (exec.c, rowclean):
it refuses once, naming each pane with unsaved text, and quits when
asked again with nothing edited since (a small scratch is not asked
about). Kill, bare or with names, stops the commands pardes typed into a
terminal (an exec, a middle click, a pty/run) while their shell's marks
say they run, by SIGTERM to the terminal's foreground job, never to the
shell (acme posts the kill note, which terminates). Both are session
builtins; the topbar's Kill becomes Exit, same width, and every golden's
topbar row changed by exactly that word (checked line by line); the
builtins script scrolls one more row for the index's new line.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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The log said new N / and later del N <cwd> for a terminal, with no rename
in between, though a terminal is named by its directory. setCwd now logs
the rename once the pane has been announced. A terminal's ctl line gave
body length 0 while its body reads its history; it now counts that
history (without keeping a copy).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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A tag that is a text can hold a newline, and the tagline, the body under it
and the pointer all assumed one row. The pane's tag now takes a row per line
(up to eight, and never the body's last row); the body starts below it, the
rows a pointer counts start the body after the tag's lines, a click on any
line puts the tag's cursor there, and a pixel shell gets a tag layer per
line. A tag of one line draws exactly as before.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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The tag was a fixed buffer with its own one-line editor, a cursor measured
across the path, and a hijack of the body's mode while it was typed into.
It is now the pane's second Text: its own characters after the computed
prefix (path, dirty marker, PDF page), which is never stored in it, so a
rename or a dirty marker never moves its cursor. Normal and insert mode are
the body's, undo included; `:` moves the keyboard between body and tag, the
tag remembers its cursor and starts on Save, and executing a word from it
hands the keyboard back. The mouse still sees the prefix: a sweep selects
across it and a click on the path drafts a new name.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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acme keeps what edits a text in its Text (dat.h:171-190) and the window
holds a body and a tag of that type. The cursor, the selections, the modal
state and the edit-buffer undo move off Pane into Text.zig, Pane holds
them as its body, and the edit and normal-mode operations take the Text
they edit. Nothing changes in behaviour; this is the step that lets the
tag become a second Text.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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Pure move, no behaviour change (acme keeps dump and load in rows.c):
dumpState, restore, initFromDump and initDump go verbatim to the end of
dump.zig, after the dump format they read and write. Inside dump.zig the
moved code's `dump.` prefix drops, so `Pane` there is the dump record; the
one editor pane it names is spelled `pardes.panes.Pane`, and its other
`panes.X` references become `pardes.panes.X` because dump.zig's own tests
use `panes` as a local name.
The methods become free functions taking `p: *Pardes`: `p.dumpState()`
becomes `dump.dumpState(p)`, `core.restore(bytes)` becomes
`dump.restore(core, bytes)` and `Pardes.initFromDump(..)` becomes
`dump.initFromDump(..)`, in pardes.zig, the shells, layout.zig,
Terminal.zig, builtins.zig and the tests (38 receiver rewrites plus the
initFromDump calls). The tag-tail restore helpers stay with the tag code.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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Pure move: the body of `pub const Terminal = struct { ... }` is now the file
Terminal.zig, dedented, with the imports it uses; panes.zig keeps
`pub const Terminal = @import("Terminal.zig");`, so `panes.Terminal.x`
callers and Pane's `Terminal.State` field are unchanged. Terminal.zig
joins the embedded source list.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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