| Commit message (Collapse) | Author | Age |
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A pane's tag rows, each notice chip and the workspace and column tags are
painted once, as their tag layers, and the grid's cells for them are copies
of those layers (joinCells): the second paint of every tag, the grid's own
notice pass and paintHeaders' grid text, hover, selection and caret are
gone, and so is renderTagLayers. The grid's caret for a tag, a header or a
prompt is the layer's, projected to grid columns. A wide glyph cut by the
edge of the copy is left as the band's blank, as the grid's print never drew
half of one (a test proves it, and fails without the re-clip).
Where the two copies disagreed, the grid's behaviour is kept, so every
snapshot golden is byte-identical:
- a notice highlighted the hovered word only as a layer; now it never does;
- a column tag's hover was suppressed during a column move only on the
grid; now in both;
- a header under edit showed the hovered word only on the grid; now in
both, under the selection;
- a notice's leading padding carried the band's ink only as a layer; the
grid copy keeps it blank;
- a notice whose band is wider in tagline pitch than in grid cells (a GUI
core) now shows the band's right end on the grid, where its text is, and
its prompt caret there.
A sweep begun on a tag and dragged into the body still shows on the body
rows it crossed, on the grid only (paintPointerSelection's from_row).
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draw.place builds the Surface's region list at the head of render: the
page; each pane's grip, tag rows, body, rail with its thumb, and notice
chips; each column's grip and tag; the workspace tag. The painters read
their geometry from it instead of working it out again: the grid's notice
chips and the notice layers share one chip rectangle, the rails (file,
terminal, image, PDF page) paint the placed thumb (a native PDF measures
its own into the region as it places its pages), and the body, tag, notice
and column layers take their viewports from their regions. A collapsed pane
places only its grip and tag. The column-move rail's one-cell clip of the
layers under it is now a region field set in place, not a mutation of the
built layers. No behaviour change; a test checks every region against the
old geometry, the painted rail and the layer viewports across tag bottom,
column tags, notices, a collapsed pane and a multi-line tag.
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Pure moves, no behaviour change. draw.zig holds the whole core frame in
order: render, the pane, tag, header and notice painters it calls, and the
character-effect composition (Pardes.render stays a declaration alias).
Presentation.zig is the panel presentation state as a file struct, and
animation.zig the easing curves, transition kinds, tracks and boxes, the
character effects' sources and the generic displayed-value transition, all
of which lived in layout.zig. layout.zig keeps only layout.
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Pure move: Color, FontRole, CellStyle, Cell, AsciiDiff, PanelCellDiff,
ImageCacheKey, NativePlacement, ImagePatch, ImagePlace and Surface, with
their eight tests, go verbatim to the new surface.zig with the imports they
use. pardes.zig keeps one `pub const X = @import("surface.zig").X;` line
per type, as it already does for Pane, Rect and the tag layers, so the
shells' `pardes.Cell` / `pardes.Surface` spellings do not change.
Surface.print, clearRect and overlayDash become pub because render calls
them from pardes.zig. surface.zig is added to pardes.zig's test block and
to the embedded source list.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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