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pqqtzsrz changed the workspace tag's default text and recorded the tty snapshots again, but not test/gui-goldens.txt, so all 17 GUI frames differed on main. Built with the old words, every frame is byte-identical to the recorded ones; recorded again with the new words, from the standard Debug gui build.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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DMedblue #000099
acme tints nothing in a tag, but the tint is a pardes indicator the user
wants in every theme. #000099 is acme's own (draw.h DMedblue, its dirty
button): a navy that reads as ink until you look for it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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every theme draws a file's name, a +Name and the Tty word off the tag's ink
The faithful ports (neobones_dark, dracula, tokyonight, the *bones, ...),
every helix import and any theme file set no tag_name_fg, and ChromeTheme
fell back to the plain ink: their tags lost the accent the pardes themes
have. The user's neobones_dark looked tinted before only because the Sep 24
build had no such theme and fell back to orchard.
The tint is now derived when unset: the theme's keyword colour, else the
first of its ANSI accents, syntax, grip, selection or diagnostic colours
with a hue, placed at the lightness nearest the ink where the hue holds,
at least 4.5:1 on its ground (half a point under the ink's own where the
ink has less to spare) and 0.07 off the ink in OKLab. Each ground, plain and
focused, gets its own. A theme that names its tint keeps it exactly.
Tests: every theme's chrome keeps both tints off the ink and legible; every
theme draws a file's basename, +Errors and Tty+sh in a tint, focused or not.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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cursor + faithful themes
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the new one
G3's springs now keep the cursor's place in its pane: a pane that moves in
the layout carries them, and the quad is drawn through the pane's presented
box (its transition track), so through a slide, zoom or drag the cursor
rides with the text, and with no transition it lands with it. A focus change,
to another pane or into a column's or the workspace's tag, glides from where
the cursor was drawn to the new place instead of snapping, unclamped while it
crosses. While panes move the cursor is drawn as the overlay quad instead of
vanishing (golden 18-mid-transition re-recorded for that: the only change is
the quad, gliding into the new column's tag).
Lapis: a tag plaque starts flush against its grip's button, the scroll gap
between them part of the plaque, so grip and plaque read as one piece, on
pane and column rows alike; below the button's row the grip keeps its band.
Themes without plaques are unchanged (their grip band and tag band are one
colour, no sliver).
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Any rename marked the pane dirty (saved revision one back), while the
guards ask only whether its text was ever edited: /index said dirty for a
pane Exit let go without asking. The name is no edit now, so /index, the
guards and Restore agree; Save writes under the new name all the same.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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separators and focus tints
Density: dp() in gui.zig draws every size given in pixels in logical
pixels (SDL's window display scale, rounded, at least one), as acme scales
Border, ButtonBorder and Scrollgap: the rules (rule_px), the tag rule, the
grip's ring, its dirty gap and mode bars, the rail's gap to the text and
its minimum, the thumb's inset, the rim, a bar cursor's minimum width,
underline and strikethrough thickness (the atlas is dropped on a scale
change), the rule-grab margin, and the Crt's scanline and mask periods
(pardesScale in the post prefix). Cell- and tagline-measured sizes stay:
the rail's width, Lift's blur and offsets, every motion; iResolution,
fragCoord and iMouse stay in the display's pixels, as ghostty's.
PARDES_TEST_SCALE forces a density in a harness (a test window is 1x
otherwise, whatever display it lands on) and sizes the test font with it.
Colours: a separator that stands off its page by less than 1.5:1 is lifted
toward the text to 1.6:1 (helix, atelier, paper; a theme with no page,
dark, is judged against #121212), and empty_col follows it. forge's own
rule already stands at 3.83:1; what hid it was density: 2 device pixels
on a 3x screen, now 6 (dp). A focused tag's tint closer than 1.5:1 to the
plain tag on a dark page (1.25:1 on a light one) is pushed further the way
it leans, as far as its text keeps its own contrast or 4.5: forge
1.23 -> 1.51 (#2d3440 -> #374253), and likewise dusk, orchard, ink,
lagoon, clay, harvest, spectrum, solarium, forge_soft; daybreak, atelier,
paper to 1.25. dark and helix gain a tint of their own (dark: #484566
under #c8c8c8, 1.54:1; helix: ramp 237 under 250, 1.65:1).
Tag caret: past a full row's end, the G3 glide box sits on the tag's right
edge, where the layer's caret and the pixel shell's are.
Tests: every native theme's separator >= 1.5 and every dark one has a
tint >= 1.25 with readable text; forge keeps its own border; the tag caret
glide box at a full row; at 2x the spine, tag rule, ring, rail start and
gap, and bar cursor double. Legacy-ThemeFile test strips helix's new pair.
Goldens: snapshot goldens change in colour rows only, the tints (orchard
#283a2f -> #314738 at boot, forge, helix and dark in theme/themesel).
GUI goldens: the harness's single Del of the renamed wide pane is refused
since ysqnkyoy (a rename counted as unsaved; fixed on the 9P line in
wkzlsqvy), so scenes 09-17 were recorded with that pane open and the file
was stale since the merge (08 and 18 also moved with ykvnltvs's full-row
tag wrap). The goldens here were recorded with that pane closed (as
wkzlsqvy will close it); against the parent's binary under the same
conditions they differ only in the tints: 01-13 forge's (#2d3440 ->
#374253, and the glyph edges on it), 14 ink's; 15-18 are byte-identical.
Until wkzlsqvy is merged, a run here fails 09-17. Each commit reproduces its own
recorded goldens on this machine (checked at kvtmqkyn). A test window is
1x unless PARDES_TEST_SCALE says otherwise, whatever display it opens on.
Prebuilt shaders refreshed from their sources.
Captures: .scratch/render/dark-borders/{before,after,compare,scale2,scale3}.
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Every look that found something cleared the looker's selection first, so
`@p5:2` or `f.txt:2` written to a pane's look collapsed its dot to
q1-1. Only a look that stays in the pane starts from a clean selection
now; one that goes elsewhere takes away just the click's highlight, and a
miss changes nothing, as acme's look does.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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Frames 08 and 18 changed with the tag wrapping at the full width (a tag
that exactly fills a row stays one row): 08's wide-glyph tag fits one more
glyph on its first row, so its second row starts a glyph later; 18's
two wrapped tags break one character later. Re-recorded with
gui_golden.py --update; every other frame matches as it was.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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The flavours looked alike because Lift, the only motion that read them,
moves a shadow a few pixels: overshoot and wind-up were sub-pixel. By design
now: crisp leaves at full speed and never passes its mark; smooth (the
default) eases in and out in twice crisp's time, a slide arriving in 208 ms
(inside §8.1's 220); bouncy passes its mark by ~30% and settles twice;
playful winds up, passes by ~40%, and stretches and squashes, text included
(the user's choice). Small motions are exaggerated by the flavour's gain.
Motion gains launch, gain, span and norm, and ease(u)/speed(u) for moves of
fixed length. The notice drop follows ease() over its fall (alpha never
behind its position) and stays inside its pane's body past its row. Panel
tracks carry the flavour in Track.motion (the old padding byte; macOS header
name follows); opening and moving slides, zooms and rises follow it over
span x their frames; landed, a pane is exactly its target; closing keeps
its own exit. A pane past its mark never takes a neighbour's click; a
rising one stays in its box.
Tests: each flavour's lift trajectory distinct; flavour character; exact
landing bit for bit; a stretched pane's drawn cells map back; the overshoot
hit rule; the vertical clip at peak; legacy tests pinned to crisp. GUI
golden 18-mid-transition changes (the retuned smooth slide at frame 6).
Shared files: src/animation.zig, src/Presentation.zig, src/Messages.zig,
src/macos.zig, src/config.zig, src/pardes.zig tests, src/ninep/screen.zig
test, docs/effects.md, docs/config.md.
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rules
acme takes plan9port's own colours (acme.c iconinit, draw.h): selections
#eeee9e in the body and #9eeeee in the tag, black ink; exec and look sweeps
#aa0000 and #006600, white ink; a #99994c scrollbar under a #ffffea thumb;
black rules; a #8888cc tag/body rule and column button.
Every theme: the grip is acme's button, its tag row's full height, in one
scroll column with the scrollbar (rail_px, 12 at a 17px tagline, scaled,
times GripWidth, a percent, default 150; same x0/x1 to the pixel):
focused clean = solid box; focused dirty = box_dirty filled to a box ring
(acme's modbutton); unfocused clean = a box_border ring round the tag's
ground; unfocused dirty = box_dirty a pixel inside that ring. The grid, which
has no ring, marks dirty with a bold * on box_dirty in the grip's second cell
and fills an unfocused grip halfway to its ring. Regions carry a dirty flag.
Column buttons are the same shape, solid. 2px rules between columns and
stacked panes (inside the tag band's slack), none at the window edge; a 1px
tag/body rule halfway between tag and page.
Theme data: tag_sel_bg, sweep_bg/fg, tag_rule, rule_px, rail_px, box_border,
box_dirty. Chrome: rule_px, tag_rule, rail_px, grip_border, grip_focus_ring;
a comptime guard on Chrome's layout forces a wire bump once v8 ships.
Structural rules are exempt from the focus-indicator rule (docs/effects.md).
Tests: acme widths; stacked rule in the slack at two tagline sizes; every
grip-column pixel is band, button, ring or rule, and the button shares the
scrollbar's x0/x1 (4 metrics x top/bottom x focus x dirty); the four grip
states distinct in every native theme with a non-colour dirty cue in the
grid; wire round-trip of the new fields.
Shared files: src/colors.zig, src/surface.zig, src/body_layer.zig,
src/tagline.zig, src/detached/wire.zig, docs/themes.md, docs/config.md,
docs/effects.md, 21 snapshot goldens (the grip cells only),
test/gui-goldens.txt.
Motion flavours differ by design, and drive notice drops and pane moves
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Rows under the first are the tag band's fill (the focused tint when the
pane is focused), for pane tags and column tags alike, on every shell,
since each draws the grid's cells. The grip region still spans every
tag row, so a press there grabs the pane, as a press anywhere in acme's
button column does (acme.c: t->scrollr is the tag's full height).
GUI goldens 12-18 change only in the grip rows under the first.
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acme paints it
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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Their clicks follow the panes to where acme's placement puts them; doccol and
splitparent stay on Placement pardes, which they cover.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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makenewwindow puts them
Newcol makes an empty column; closing a column's last pane leaves it empty with
the keyboard on its tag; Delcol and Joincol alone take a column away; the
session's last pane closing quits. The +New stand-in and replaceStillborn /
stillborn_joiner are gone. Every new pane goes through exec.placeNew, which
follows acme's makenewwindow (active column, empty column whole, blank space,
halving the biggest) or, with Placement pardes, the old rules. ColumnTags is
gone: column tags are always shown. A grip drag shows acme's box cursor.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
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Stage 8 of docs/render-pipeline.md. The frame is drawn in groups: tier 0,
one per track in paint order (tiers 2 and 3), tier 4 (notices, then guides
and the debug box), tier 5 (bar cursors), each cells, images, decor. Decor
(rules, rails, thumbs, grip marks, spines, the workspace and column rules,
the bottom band, notice rules, bar cursors) is whole-pixel rects through
the new decor.frag over ui.vert, so it carries its track's transition and
clip. A closing pane's chrome comes from Surface.previous_regions.
Deleted: taglineBaseRgb, topbarPaneBorderHeight, bottomTaglinePresent,
frameChromeBg, cellBackgroundIs and the rail inference, paneGripCell's
scan, transient_on, PaintPlan. One cover map (coverFrame) is marked from
the layers and regions once a frame. New regions column, guide and debug;
Surface.chrome is the palette, carried in wire v8 (not shipped yet), so an
attached GUI draws the same chrome (test). A per-instance clip replaces the
vertical transition's scissor.
Goldens: 01-12 byte-identical. 13-17 differ only past the grid: the image
pass left its scissor at the grid's size, cutting rule ends, rail feet and
the bottom band in the leftover pixels whenever a picture was on screen.
16-debug now shows the debug box, which a context-row layer had hidden.
18-mid-transition is new: virtual clock (PARDES_TEST_CLOCK in the GUI),
PanelSlide Newcol with the picture, frame 6 of 12.
Also: the GUI sleeps when idle instead of polling every 16 ms, and a
minimized or occluded window sleeps through animation. Tracy 'gui frame
build' at 200x60: 992/1015 us median before, 989/987 us after.
Shared files touched: pardes.zig (one export), detached/client.zig,
detached/server.zig, detached/wire.zig (all additive), gui.zig. Not touched:
Messages.zig, mouse.zig, tagline.zig, colors.zig, tty.zig, host_io.zig,
dump.zig, exec.zig, panes.zig.
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joinBody replaces the second paint of a file body with compact tree-sitter
context rows: the body is painted once into its body layer (more rows than
the grid has) and the grid's body rows are copies of the layer's first
ones; the rail is the grid's alone, from its region. Which rows are context
rows is still decided by a text build before the paint, and a body without
them reuses that text and paints straight onto the grid: every other body
has no row the grid cannot show, so it gets no layer and no copy.
Each part now paints only its own rows. The tag paints the tag rows of
every pointer sweep that crosses them (the select sweep in the tag's
colours, the look-hover affordance over it, a middle or right sweep over
both in its button's tint), which the body used to paint over the tag on
the grid alone; the body paints only body rows, and a select sweep begun on
the tag marks the body rows it crossed before the text is laid down, as it
did. Grid and layers agree, the snapshot goldens are byte-identical, and a
test checks the joined grid rows and caret against a plain paint of the
same body with the tag on top and at the bottom. The GUI goldens gain a
terminal pane scene.
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A shell now answers Host.now, its monotonic clock in ns, and the pump
advances core animation to it: one .tick per whole 16 ms frame since core
time last stood still. The same animation therefore takes the same time at
60, 120 and 144 Hz, over ssh and after a slow frame (the GUI's re-armed
clock ran them ~25% slow at 144 Hz; the tty's post-frame sleep drifted).
nextWake() lists every core animation in one place: a frame from now while
anything moves, the end of the wait while something only waits (a message
lingering, the look-hover delay), null when idle. Shells sleep exactly that
long, and a wait is jumped to its end in one step, so an 800 ms linger
costs one frame instead of fifty. An overshoot under 1.5 ms after a step is
let go: at 60 and 120 Hz every display frame takes exactly one step (a 16 ms
frame against a 16.67 ms vsync would otherwise double-step every 24th).
The six tick drivers are gone: tty's timer thread only times the wait,
interruptibly (a newer, shorter request cuts short a sleep still timing a
longer one); the GUI's
AnimationClock, web's JS tick bank (pardes_tick now takes rAF's timestamp),
the detached server's and the board's ticks; grid mode steps a virtual
clock straight to each wake. PARDES_TEST_CLOCK, set by the snapshot
harness, gives tty and the detached server the same virtual clock.
Every stepped frame is drawn. The old pump never drew the last frame of a
fade (a .tick asks for no frame, and the fade was over by the check), so a
theme switch stopped at 9/10 of the way until the next input: theme.golden,
themesel.golden and the GUI's acme-light scene move to the theme's true
colours, and nothing else changes. The frozen previous grid is captured only
while a panel transition is chosen, not on every idle frame.
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test/gui_golden.py drives a hidden pardes-gui through 9P and window-pixel
mouse events on its test stdin into sixteen scenes: documents, a notice,
sticky context rows with the scroll thumb mid-rail, a body selection, a tag
holding the keyboard with a selection and caret, a prompt notice, wide
glyphs across a tag's and a body row's right edge, a collapsed pane with
focus tint, Tagbottom, column tags, a multi-line tag, an image, a dark and a
light theme, and Debug. Each scene waits until two captures agree and is
hashed. The goldens are machine- and driver-specific: a local gate, never a
CI one.
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