| Commit message (Collapse) | Author | Age |
|---|
| |
|
|
|
|
|
|
| |
its file-name shadow
No dot grid under the text and no stripes behind the focused tag; every colour, the gold frames and vermilion shadows of the plaques, the rules, the scroll column's checker and the title shadow stay lapis's. It follows lapis in the ring and the Themes picker.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
workspace tag reads Dump Themes Config Debug Exit
Config (SPC f c) opens init, found as the settings report finds it
(opts.startup_config_path: $XDG_CONFIG_HOME/pardes/init or
~/.config/pardes/init, and the macOS and Windows paths config.md gives). A
pane that already holds it is gone to instead; a file on disk is looked at;
with none, an empty pane is named for it, and Save makes its directory and
any above it first (File.make_dirs, fs.makeDirs) before writing. Without a
configuration directory it says so and opens nothing.
The report Config used to open, the startup path and every live setting, is
DumpConfig, in a +DumpConfig pane. No alias keeps the old meaning.
The workspace tag's default words put Themes where NextColor was, NextColor
staying a builtin, and Config beside it. A tag the user edited is kept as it
was: a dump stores only an edited one (topbar_custom), and a restore puts
back only that.
theme.snap types NextColor onto the workspace tag to click it, and tagnav's
walk back to Dump takes five long-word steps. The rest of the re-recorded
goldens differ in the workspace words and their widths only.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
|
| |
|
|
|
|
|
|
|
|
| |
DMedblue #000099
acme tints nothing in a tag, but the tint is a pardes indicator the user
wants in every theme. #000099 is acme's own (draw.h DMedblue, its dirty
button): a navy that reads as ink until you look for it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
every theme draws a file's name, a +Name and the Tty word off the tag's ink
The faithful ports (neobones_dark, dracula, tokyonight, the *bones, ...),
every helix import and any theme file set no tag_name_fg, and ChromeTheme
fell back to the plain ink: their tags lost the accent the pardes themes
have. The user's neobones_dark looked tinted before only because the Sep 24
build had no such theme and fell back to orchard.
The tint is now derived when unset: the theme's keyword colour, else the
first of its ANSI accents, syntax, grip, selection or diagnostic colours
with a hue, placed at the lightness nearest the ink where the hue holds,
at least 4.5:1 on its ground (half a point under the ink's own where the
ink has less to spare) and 0.07 off the ink in OKLab. Each ground, plain and
focused, gets its own. A theme that names its tint keeps it exactly.
Tests: every theme's chrome keeps both tints off the ink and legible; every
theme draws a file's basename, +Errors and Tty+sh in a tint, focused or not.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
|
| |
|
|
| |
keeps from the frame before
|
| |\ \
| | |
| | |
| | | |
cursor + faithful themes
|
| | |/
| |
| |
| |
| |
| | |
theme.snap and themesel.snap step past orchard_black into acme and lapis
(now with the current themes) and across the first ported sections; their
step names say where each lands, and only these two goldens are re-recorded.
|
| |/
|
|
|
|
|
|
|
|
|
|
| |
files and dumps
The user asked for the plainer words. Every use is renamed: the
builtins, leader paths, /commands, the docs and tutor, tests, and the
themesel golden, re-recorded. An init file's ThemeSel or FontSel runs
the new word and says `ThemeSel: renamed to Themes`, as ColumnTags is
said; a dump naming an output pane by the old word restores it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
A native theme `lapis` (src/themes/lapis.zig) from web/theme/lapis.css:
a lapis-deep page, lapis tags with gold names, vellum text, vermilion
rubrics, gold rules and a vermilion tag rule, gold selection in lapis ink.
Its ornament is the theme's new `decor` (colors.Decor), drawn by a pixel
shell inside the chrome it already has (decision 1), all of it off every
focus indicator:
- page_dots: the site's gold dot grid (#e8c46a22, 22 px), drawn by the
cell shader on page-coloured cells alone (flag 0x10000000), so it lies
under the text and never under a selection, a tag or the cursor; fixed
to the window, a page the panes lie on.
- rail_checker: the dither frame's gold and lapis checker in the scroll
track (a decor kind, flag 0x08000000), anchored to its rail; the thumb
stays solid gold.
- tag plaques (tag_border, tag_shadow, tag_stripe): every tag a raised
plaque inside its own band, the site's trail: a 2px gold frame and a
hard 5px vermilion shadow down and right, both within the band's rows
and columns (down, what the slack under the text leaves), so no shadow
reaches a body, a grip or the next pane. The focused pane's plaque is
the code window's title bar, gold and lapis stripes of 2px, its words
on plates of the focused ground; unfocused ones are plain; column and
workspace tags take the object-label language (1px frame, 2px shadow
toward the page). Drawn as decor under the cells (a group's under
range), with blank tag cells see-through and the cells blended
premultiplied (pipeline_over) on such frames; opaque windows only.
- title_shadow: the titles' vermilion offset shadow under a file name's
letters, sampled in the cell shader inside the letters' own cells (flag
0x08000000), none on a cursor.
Chrome carries the decor (decor_*, name_ink, active_name_ink); a theme
file folds a nested decor literal field by field. Left out, with why, in
docs/effects.md: the fonts, the ornaments, a decor crossfade, and in the
tty anything but the colours (a tag row has no spare cell for a shadow).
An empty column is the page. The effect id is masked to 27 bits (ui.vert/ui.frag) for the
fifth flag.
Tests: the cell flags land only on page ground and file-name cells, never
a cursor, nothing without decor; lapis's plaques stay inside their tag's
band, clear of every grip, only the focused one striped; its checker is in
the track; no other theme draws any; the separator and focus
tests cover lapis. Goldens: theme and themesel (the ring gains lapis after
acme). Gates as G4. Feel review: .scratch/render/lapis/ (lapis.png, lapis-2x.png,
tags-focused-vs-unfocused-2x.png, a PanelSlide at 60 fps and a quarter).
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
separators and focus tints
Density: dp() in gui.zig draws every size given in pixels in logical
pixels (SDL's window display scale, rounded, at least one), as acme scales
Border, ButtonBorder and Scrollgap: the rules (rule_px), the tag rule, the
grip's ring, its dirty gap and mode bars, the rail's gap to the text and
its minimum, the thumb's inset, the rim, a bar cursor's minimum width,
underline and strikethrough thickness (the atlas is dropped on a scale
change), the rule-grab margin, and the Crt's scanline and mask periods
(pardesScale in the post prefix). Cell- and tagline-measured sizes stay:
the rail's width, Lift's blur and offsets, every motion; iResolution,
fragCoord and iMouse stay in the display's pixels, as ghostty's.
PARDES_TEST_SCALE forces a density in a harness (a test window is 1x
otherwise, whatever display it lands on) and sizes the test font with it.
Colours: a separator that stands off its page by less than 1.5:1 is lifted
toward the text to 1.6:1 (helix, atelier, paper; a theme with no page,
dark, is judged against #121212), and empty_col follows it. forge's own
rule already stands at 3.83:1; what hid it was density: 2 device pixels
on a 3x screen, now 6 (dp). A focused tag's tint closer than 1.5:1 to the
plain tag on a dark page (1.25:1 on a light one) is pushed further the way
it leans, as far as its text keeps its own contrast or 4.5: forge
1.23 -> 1.51 (#2d3440 -> #374253), and likewise dusk, orchard, ink,
lagoon, clay, harvest, spectrum, solarium, forge_soft; daybreak, atelier,
paper to 1.25. dark and helix gain a tint of their own (dark: #484566
under #c8c8c8, 1.54:1; helix: ramp 237 under 250, 1.65:1).
Tag caret: past a full row's end, the G3 glide box sits on the tag's right
edge, where the layer's caret and the pixel shell's are.
Tests: every native theme's separator >= 1.5 and every dark one has a
tint >= 1.25 with readable text; forge keeps its own border; the tag caret
glide box at a full row; at 2x the spine, tag rule, ring, rail start and
gap, and bar cursor double. Legacy-ThemeFile test strips helix's new pair.
Goldens: snapshot goldens change in colour rows only, the tints (orchard
#283a2f -> #314738 at boot, forge, helix and dark in theme/themesel).
GUI goldens: the harness's single Del of the renamed wide pane is refused
since ysqnkyoy (a rename counted as unsaved; fixed on the 9P line in
wkzlsqvy), so scenes 09-17 were recorded with that pane open and the file
was stale since the merge (08 and 18 also moved with ykvnltvs's full-row
tag wrap). The goldens here were recorded with that pane closed (as
wkzlsqvy will close it); against the parent's binary under the same
conditions they differ only in the tints: 01-13 forge's (#2d3440 ->
#374253, and the glyph edges on it), 14 ink's; 15-18 are byte-identical.
Until wkzlsqvy is merged, a run here fails 09-17. Each commit reproduces its own
recorded goldens on this machine (checked at kvtmqkyn). A test window is
1x unless PARDES_TEST_SCALE says otherwise, whatever display it opens on.
Prebuilt shaders refreshed from their sources.
Captures: .scratch/render/dark-borders/{before,after,compare,scale2,scale3}.
|
| |\ \ |
|
| | |/
|/|
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |
| | |
rules
acme takes plan9port's own colours (acme.c iconinit, draw.h): selections
#eeee9e in the body and #9eeeee in the tag, black ink; exec and look sweeps
#aa0000 and #006600, white ink; a #99994c scrollbar under a #ffffea thumb;
black rules; a #8888cc tag/body rule and column button.
Every theme: the grip is acme's button, its tag row's full height, in one
scroll column with the scrollbar (rail_px, 12 at a 17px tagline, scaled,
times GripWidth, a percent, default 150; same x0/x1 to the pixel):
focused clean = solid box; focused dirty = box_dirty filled to a box ring
(acme's modbutton); unfocused clean = a box_border ring round the tag's
ground; unfocused dirty = box_dirty a pixel inside that ring. The grid, which
has no ring, marks dirty with a bold * on box_dirty in the grip's second cell
and fills an unfocused grip halfway to its ring. Regions carry a dirty flag.
Column buttons are the same shape, solid. 2px rules between columns and
stacked panes (inside the tag band's slack), none at the window edge; a 1px
tag/body rule halfway between tag and page.
Theme data: tag_sel_bg, sweep_bg/fg, tag_rule, rule_px, rail_px, box_border,
box_dirty. Chrome: rule_px, tag_rule, rail_px, grip_border, grip_focus_ring;
a comptime guard on Chrome's layout forces a wire bump once v8 ships.
Structural rules are exempt from the focus-indicator rule (docs/effects.md).
Tests: acme widths; stacked rule in the slack at two tagline sizes; every
grip-column pixel is band, button, ring or rule, and the button shares the
scrollbar's x0/x1 (4 metrics x top/bottom x focus x dirty); the four grip
states distinct in every native theme with a non-colour dirty cue in the
grid; wire round-trip of the new fields.
Shared files: src/colors.zig, src/surface.zig, src/body_layer.zig,
src/tagline.zig, src/detached/wire.zig, docs/themes.md, docs/config.md,
docs/effects.md, 21 snapshot goldens (the grip cells only),
test/gui-goldens.txt.
Motion flavours differ by design, and drive notice drops and pane moves
|
| |/
|
|
|
|
|
| |
Their clicks follow the panes to where acme's placement puts them; doccol and
splitparent stay on Placement pardes, which they cover.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
A shell now answers Host.now, its monotonic clock in ns, and the pump
advances core animation to it: one .tick per whole 16 ms frame since core
time last stood still. The same animation therefore takes the same time at
60, 120 and 144 Hz, over ssh and after a slow frame (the GUI's re-armed
clock ran them ~25% slow at 144 Hz; the tty's post-frame sleep drifted).
nextWake() lists every core animation in one place: a frame from now while
anything moves, the end of the wait while something only waits (a message
lingering, the look-hover delay), null when idle. Shells sleep exactly that
long, and a wait is jumped to its end in one step, so an 800 ms linger
costs one frame instead of fifty. An overshoot under 1.5 ms after a step is
let go: at 60 and 120 Hz every display frame takes exactly one step (a 16 ms
frame against a 16.67 ms vsync would otherwise double-step every 24th).
The six tick drivers are gone: tty's timer thread only times the wait,
interruptibly (a newer, shorter request cuts short a sleep still timing a
longer one); the GUI's
AnimationClock, web's JS tick bank (pardes_tick now takes rAF's timestamp),
the detached server's and the board's ticks; grid mode steps a virtual
clock straight to each wake. PARDES_TEST_CLOCK, set by the snapshot
harness, gives tty and the detached server the same virtual clock.
Every stepped frame is drawn. The old pump never drew the last frame of a
fade (a .tick asks for no frame, and the fade was over by the check), so a
theme switch stopped at 9/10 of the way until the next input: theme.golden,
themesel.golden and the GUI's acme-light scene move to the theme's true
colours, and nothing else changes. The frozen previous grid is captured only
while a panel transition is chosen, not on every idle frame.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Kill quit the editor, which in acme is Exit; acme's Kill stops the
commands it started. Exit now quits as acme's does (exec.c, rowclean):
it refuses once, naming each pane with unsaved text, and quits when
asked again with nothing edited since (a small scratch is not asked
about). Kill, bare or with names, stops the commands pardes typed into a
terminal (an exec, a middle click, a pty/run) while their shell's marks
say they run, by SIGTERM to the terminal's foreground job, never to the
shell (acme posts the kill note, which terminates). Both are session
builtins; the topbar's Kill becomes Exit, same width, and every golden's
topbar row changed by exactly that word (checked line by line); the
builtins script scrolls one more row for the index's new line.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
A notice is an overlay now, which is the one place it is NOT like the
tree-sitter context: it takes no row from the body and moves no text. Each one
is a chip as wide as its own message plus a blank cell either side, anchored
to the pane right edge on the body top rows. The rest of each of those rows is
ordinary body text that still reads and still answers a click -- Notices.left
records where each chip starts, and the hit test refuses only the cells it
covers rather than the whole row.
The width is counted in GRID columns rather than scaled into the tagline face
the chip is drawn in, because the canonical grid is what a terminal client
draws and a chip narrower than its own text there would clip it; the narrower
tagline face simply leaves a little more room inside the chip. The tag layer
takes the geometry the grid pass already chose, so the two cannot disagree and
the GUI skipping the cells a tag layer covers leaves no stub behind.
Pane.body_offset is gone with the reservation it existed for, and bodyTop
takes only a rect. The body layer keeps every row it had, the scrollbar runs
the full body again, and the GUI smooth-scroll extents go back to the pane.
Co-Authored-By: Claude Opus 5 (1M context) <[email protected]>
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
A message, a leader chord and a prompt used to share one row of body text at
the bottom of a pane, wearing the tagline font and nothing else about a
tagline. Now each one is a TagLayer of its own, emitted through the same
renderHeaderLayer the pane and column tags go through, so it gets the tagline
height, the small-font metrics, the band offset and the border for free --
none of which a body-grid row can have by changing its font role. The text is
right aligned. The prompt stays on the canonical grid because it owns a
cursor, and a cursor has to sit on a real cell.
The body starts BELOW the bands rather than under them, the way tree-sitter
context rows already worked. Pane.body_offset is how many rows they took and
Pardes.bodyTop(pane, rect) is the one place that answers "where does the body
begin" -- replacing fifteen copies of `if (tag_bottom) r.y else r.y + BOX_H`
spread across the paint, hit-test, scroll, PDF and image paths, which is what
let the bands and the text under them come adrift. Every notice is painted on
the grid as well, because the grid is what a terminal client draws and a band
it cannot see is a message it never gets; the GUI skips grid cells a tag layer
covers, so nothing is drawn twice.
Three bugs the bands exposed, fixed here:
- a prompt band flush with the right edge put its caret one column past the
pane, which the detached wire refuses -- so every frame was dropped for as
long as the prompt was open. The band now reserves that column.
- a click on a band mapped to Sel row 0, which is the TAG row: clicking
chrome expanded a word out of the tagline and ran it as a builtin.
- a watched file reloading under the editor changed the core without going
through update, so needs_frame was never set and the reload was never
drawn. Pardes.invalidate() is the name for that, and the file and theme
reloads call it.
A session can now drive its own 9P namespace instead of being refused one:
ownMountSuffix answers what a path names inside this editors own tree and
resolve, readLimit and write serve it from memory rather than making the
syscall that never returns. The match is anchored to whole components under
the registrys 9p/pardes/<name>, because a bare /pardes/<name> anywhere in a
string would claim ~/src/pardes/<name>/README -- and, before write learned the
same trick, write the trees bytes over the real file. readFileLimit and
writeFile refuse instead, having no core to answer from.
A toggle setting SETS when given `on` or `off` and only flips when it is bare,
so the report LocationsConfig prints can be fed back as configuration and mean
what it says.
Snapshots: 97/98, from 0/98. The goldens were several commits stale and 17
scripts had stopped running; `config <line>` is a new script command that
appends to the per-script startup config, so a script that clicks body
coordinates pins `Verbose off` instead of counting the rows an announcement
moves. nested-optout is left failing on purpose: two levels of nesting prepend
vaxis F3 codepoints to typed lines, which is a real bug and is written down in
docs/divergences.md with a repro.
Co-Authored-By: Claude Opus 5 (1M context) <[email protected]>
|
| |
|
|
| |
Empty marker on the last pre-Reload change. Keep the Reload experiment on reload (3801914), its first change on reload-start (200a1fc), and the unfinished performance investigation on reload-perf-wip.
|
| |
|
|
| |
stops rewriting the suite
|
| |
|
|
| |
takes a path argument
|
| |
|
|
| |
optional methods
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Three changes that all turned out to be the same shape -- a feature that
worked in one direction, or for one pane kind, and quietly did not in the
others.
CLIPBOARD. Every register write emitted set_clipboard, so deleting one
character threw away whatever the desktop was holding; multi-cursor yank took
the join's early return and emitted nothing at all, so the same key reached
the clipboard on one cursor and not on two. Nothing could READ the clipboard:
the SDL shell had no SDL_GetClipboardText anywhere in it, and the tty shell
never asked for OSC 52, so `p` from another application was dead in both.
Now it is helix's split. y/d/c/p/P/R and the acme chords are the DEFAULT
REGISTER and nothing else; the system clipboard is five words on helix's own
letters -- SPC y, SPC Y, SPC p, SPC P, SPC R -- spelled as builtins so they
land in Help and are executable like every other verb. The one exception is
the tag `y` chord, which still mirrors out because a tag is always insert, so
SPC cannot be pressed there, and copying the path out is the whole point of
the chord.
Reading is a new read_clipboard effect answered by an ordinary Event.paste, so
the round trip is honest about being one: SDL and NSPasteboard answer inside
the same drain, the browser answers a promise, and a terminal answers over
OSC 52 or -- far more often -- refuses. A refused read is a paste that does
not happen, and the request dies at the next keystroke rather than landing
minutes late in whatever pane is focused by then.
The tty shell also enables BRACKETED PASTE now and coalesces
paste_start..paste_end into one event. Before this a paste arrived as a flood
of individual key presses: plausible in insert mode, and in normal mode every
pasted character ran as a command.
n/N. They stepped the armed results buffer and immediately Looked each row, so
you could not walk past a hit without opening it. They are a MOTION now:
select the next look-able text, open nothing, and let Enter decide. What they
step is the largest whitespace-delimited run look.resolve can act on
(look.lookableSpan, wrapper punctuation peeled), over a RING of panes -- every
pane that has performed a look, most recent first, then the output buffers
that have not, newest first, and only if both are empty the pane in front of
you. N is the exact inverse of n, computed rather than remembered: both
directions ask the same question about the same spans and compare against the
column the walk parks on, so x presses one way and x back land exactly where
you started, pane boundaries and the ring's seam included.
A ring rather than a list with two ends because a shell's cursor sits at the
prompt, below everything it has printed, so a walk that could not come round
would have nowhere to go on the very first press -- which is the case n/N were
written for.
One motion everywhere, no pane-kind or buffer-kind special case. The only
thing a buffer may change is the GRAIN of what a step selects, and it does it
with one flag rather than a branch: output_pane.Traits.commands (renamed from
`executes`, which named one reader's behaviour rather than the fact) makes a
row select WHOLE, because a ThemeSel line is a word to run and has no path
inside it to pick out. `]d`/`[d` are not n/N -- they are helix's diagnostic
motions, their job is to ARRIVE, and they still reach searchStep.
THE TTY PROMPT. Leaving raw tty blanked the prompt row, and the command you
had typed at that prompt shares the row, so it went too -- a shell out of tty
read as output only. OSC 133 marks the row CELL by cell, so the two are
separable: config.tty_blank = .prompt cuts the prompt's own columns and leaves
the command, left-hugged at column 0 in line with the output under it rather
than in a bay of blanks. .prompt_and_input is the old behaviour, kept.
Because the row is now something you can put a cursor in, enterTty adds the
hidden prompt width back before asking ghostty to walk the shell's own cursor
to it -- the modal column on a cut row is short by exactly that much.
Verified: unit-test 186/186 (nine new), snap 87/87 (new ttyprompt.snap),
hxdiff 481 and hxparity 561 with 0 mismatches, tty and gui both build. And
against the real binaries rather than the harness: in a pty, SPC y emits OSC
52 carrying exactly the selection while plain y emits nothing, SPC p issues
the read and pastes the reply, and a bracketed paste of "dd..." inserts text
instead of deleting two lines. In a real SDL window, SPC y then SPC p round
trips through the system clipboard while the default register holds different
text. Setting tty_blank back to .prompt_and_input reproduces all 86 old
goldens byte for byte.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Esc ran Toggleterm, which hopped between the newest DOC and the newest
TERMINAL. That distinction never earned its keep. It made Esc unpredictable —
which of three panes you landed on depended on their kinds, not on where you
had been — and it could not alternate between two files at all, which is the
case you hit most. Editing two files, Esc did nothing.
The replacement already existed. Last (SPC j j) is "the pane you were in
before this one, whichever it was": it walks the jump stack for the newest
entry naming a different pane and restores its line and column. So Esc, and
Shift-Esc in tty, now run Last, and Toggleterm is deleted rather than renamed
— a third implementation of "go to the other pane" was the thing to avoid.
SPC w t goes with it; the w group is the four directional moves, and the jump
group already had SPC j j.
Held down, Esc alternates. Two files, a file and its shell, a file and a
+Search — all the same, because Last has no notion of kind to get wrong.
This depends on the swap in the same series: Last reads the stack backwards,
and until hopping stopped appending, the pane you came from could fall off it.
windownav.snap needed only its keys and prose changed — its golden did not
move at all, which is the useful evidence here: for the one scenario the old
builtin handled well, Last produces an identical focus sequence.
Coverage for what it did not handle is new: a unit test opens a second FILE by
looking its name and asserts Esc alternates between two panes of the SAME
kind, which is the case that used to be a no-op.
Docs follow: tutor.txt, docs/helix-keys.md, docs/design.typ, and the builtin
index goldens, which are now one row shorter.
75/75 snapshots, both unit suites, and the macOS ABI build all pass.
|
| | |
|
| | |
|
| | |
|
| | |
|
| | |
|
| |
|
|
|
|
|
|
|
|
| |
config.tag_normal became a space when the mode moved into the layout box,
and 66 goldens still spelled the old bullet — the whole suite was red on
one character. Regenerated serially, and every file's diff is that
character and nothing else: replacing the bullets in the OLD goldens with
spaces is byte-identical to the new ones, so nothing else moved under
cover of the churn. The one bullet left in tutor.golden is the tutor's own
sentence about the badge, which the app still draws.
|
| | |
|
| | |
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
228 in the ring: 3 pardes ships plus all 214 helix runtime themes and all 11
zed variants across its three families. No exclusions.
inherits is what this cost. 76 themes need it, so the reader is two passes now,
and the merge is WHOLE-KEY rather than field-wise because helix merges the
theme body at depth 1 — the three *_transparent themes clear their parent's
background with an empty table, and a field-wise merge would leave it painted.
I had that wrong until I read helix-view/src/theme.rs.
At 214 files the generator meets themes that are SPARSE rather than broken, and
the old fatal-on-anything-missing would have rejected them. Every fallback is
helix's own rule: no background at all means wear the terminal's, so bg and fg
go null (13 themes, correctly); the twelve RGB fields that cannot be null fall
back to ghostty's default palette entries 7 and 0, which is exactly what a
pardes terminal already paints an unstyled ANSI index as. fatal is kept for
what genuinely cannot be read.
Three real bugs surfaced only at scale: #ccc shorthand doubles the nibble
(helix's rule, 58 colours), a quoted inline-table key silently dropped a
selection colour, and four themes name a cursor background EQUAL to the page
because they are about to reverse that cell — taking it painted an invisible
move box. 0 degenerate themes out of 225 now: no fg==bg, no syntax colour on
its own background, no invisible box.
Collisions get an unconditional rule rather than a clever one: a zed variant is
always <name>_zed, because both projects ship gruvbox, ayu and one, and a
conditional tag would move a name when the other source changes. A comptime
assert holds it.
Cost: no-op build 0.257 -> 0.276s, a pardes.zig change 46.8 -> 47.5s, binary
+0.98%. The generator does 217 sources in 54ms.
NextColor stays and is no longer a way to REACH a theme — but the browse got
better, not worse: the generated half sorts by name, so its neighbours are that
theme's own family. theme.golden's fourth click moved from ayu_dark to acid,
which sorting 225 names does; themesel gained a tail capture proving row 228
renders.
|
|
|
Each theme is a .zig file of pure data and nothing enumerates them by hand —
fold() walks the container's declarations, so a theme is a file and that is the
whole registration. Field by field rather than a wholesale coercion, which
makes a missing field a compile error that names it.
tools/gen_themes.zig reads helix .toml and zed .json out of vendor/themes and
emits one .zig each; build.zig reads that directory, so adding a theme is
dropping a file in. Output goes to the build cache rather than the tree, so zig
owns the freshness check and a deleted source cannot leave a stale theme
behind. Vendored, not read from the genizah: the build stays offline. A source
it cannot map is a hard error naming the file and the key, never a silently
black-on-black theme.
ThemeSel is the clever half. Traits gained an `executes` column, so n/N over
that buffer hands the whole line to Exec instead of the leading word to Look —
both arms the ordinary builtin, so a stepped row does exactly what the matching
mouse button on it would. Stepping the list previews each theme live. The trait
is a pane property, not an output-pane branch, so any pane whose lines are
commands can opt in.
Goldens: leader gains SPC t t; theme's fourth NextColor no longer wraps to
helix because the ring is fifteen long. New: themesel.
|
