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# Effects: feel reviews
**The rule above all the others:** no effect may alter or cover a focus
indicator (the focused pane's tag colour, its grip, the cursor, the
selection) or reduce its contrast. The effects are sugar; the indicators are
how a person knows where they are. Every G stage is reviewed against this.
Lift, for one, falls only on pane bodies and rails, never on a tag, a grip or
a header, and its strength is capped so text and the selection keep min(their
contrast, 4.5) (tests in src/gui/gui.zig). The rule binds effects, not a
theme's structure: the rules between panes (2px, `rule_px`) are the theme's
borders, and the one over a tag band stays in the band's slack, never over
its text. A dim touches only the unfocused
panes, with the same floor, and the focused pane's text is never at less
contrast than theirs (tests in src/draw.zig).
Each effect of docs/render-pipeline.md §9 lands behind its own switch, off,
and is kept only after a feel review (§8.4): a frame series on the virtual
clock, a recording, and a verdict — keep, polish or drop — with one line of
why. The verdict is the user's.
| effect | switch | state | review material | verdict |
|---|---|---|---|---|
| Crt (bundled post pass) | `Crt 0..3` | kept, rewritten (no barrel) | fx-compare stills, live window | kept at the user's live look |
| Ripple, Glitch | — | removed | live window | dropped by the user after a live look |
| G1 lift | `Lift shadow\|rim\|auto` (off), `InactiveDim <percent>` | opt-in until the focus-lift default is decided | lift-shots-2 (off, shadow, rim, auto on acme, dusk, forge); frame series + mp4 per Motion flavour | shadow on acme: keep as is. Round 1 dropped glow and surface (surface lowered the focused text's contrast) and made rim a hairline just above the focused tag (light on a dark page, shade on a light one). auto on a dark page recedes the others (InactiveDim 30) |
| G3 cursor | follows `Motion`; `CursorBlink on\|off` (on) | glide on by default through the default flavour (smooth); blink on (decision 6) | .scratch/render/cursor/cursor-flavours-grid.mp4 (and quarter speed), raw/<flavour>/<motion>/ | pending |
## Motion flavours
`Motion off|crisp|smooth|bouncy|playful` (default smooth, tuned so arrivals
land inside §8.1's 220 ms; bouncy and playful run longer, opt-in) is one parameter set
(animation.Motion) every fx animation reads, so a flavour is data, not a
branch in each effect. Input is never blocked, and a new target always
retargets from the current position and velocity.
| flavour | timing (ω, length) | follow-through (ζ) | anticipation | squash/stretch | exaggeration (gain) | secondary lag | arcs |
|---|---|---|---|---|---|---|---|
| off | instant | — | — | — | — | — | — |
| crisp | 60, 0.6× (leaves at full speed) | 1 (none) | — | — | 1 | in step | — |
| smooth | 34, 1.1× (slow in, slow out; ≤220 ms) | 1 (none) | — | — | 1 | 0.85 | 0.04 |
| bouncy | 24, 1.4× | 0.35 (overshoots ~30%, settles twice) | — | 0.15 | 1.25 | 0.8 | 0.08 |
| playful | 18, 1.7× | 0.28 (overshoots ~40%) | 0.15 of the move | 0.35 | 1.4 | 0.55 | 0.15 |
The flavours are distinct by design, not tuning: crisp leaves at full speed
and never passes its mark; smooth takes twice as long and eases in and out; bouncy clearly passes its mark and settles back once or twice;
playful winds up the other way first, flies well past, and stretches along
its path and squashes as it lands, its text with it (the user's choice); a
pointer inverts the same stretched box, and landed, a pane is exactly its
target. A motion only a few pixels big (Lift) is
exaggerated by the flavour's gain so its character shows. The flavours drive
the Lift spring (time-based), the notice drop and the pane moves (PanelSlide,
PanelZoom, PanelVertical opening or moving, whose length scales with the
flavour); a closing pane keeps its effect's own exit. Chart and side-by-side
video: .scratch/render/motion/compare/.
Which principles each motion uses:
- **Lift** (G1): timing, slow in / slow out (the spring), follow-through
(bouncy and playful lift past full and settle back), anticipation (playful
dips before it rises; below zero nothing is drawn, so it reads as a beat
before the lift), staging (only the focused pane lifts; nothing else moves
with a focus change), exaggeration (the flavour's gain). Squash, stretch,
arcs and secondary lag have nothing to act on in a lift.
- **Notice drop and pane moves**: timing and follow-through from the flavour's
spring over the move's length; anticipation (playful). A pane past its mark
never takes a neighbour's click, a rising one stays in its box, and a notice
past its row stays in its pane's body.
- **Cursor** (G3): timing (the flavour's spring, 2.4x its pace: it follows
input), follow-through (bouncy and playful pass the target), squash and
stretch and secondary action (the trailing corners lag by the flavour's
follow, so a jump smears and collapses), arcs (a jump over 8 cells bows by
the flavour's arc), anticipation (playful's wind-up). A step of a cell or
less, or any move in insert mode, lands at once, so typing never trails;
a scroll carries the cursor with the text. Only the focused cursor moves.
Notes on G1: the lift and the dim run on one focus spring per pane, at the
Motion flavour's pace, sampled at each frame's own time; while it moves the
GUI draws at the display's rate, and a grid snaps. A notice floats on a lift
of 1 while a shadow or rim is on. InactiveDim under `Lift auto` defaults to
30. The fade is in linear light, so on a dark page it is gentle: at 30
forge's text goes from 15.5:1 to 11.2:1 and dusk's from 6.4:1 to 4.8:1,
plainly quieter and still easy reading; at 10 forge barely moves (14.1:1).
On a light page the same percent bites far harder (acme: 7.0:1 at 10, the
4.5 floor at 30), which is why `auto` shades there instead of dimming.
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